The Poetry Playground with Yashasvi Vachhani

Rhymes are fun, and we explored them to the fullest at Yashasvi Vachhani’s workshop, The Poetry Playground.
From shedding our serious skins and getting silly to creating word clouds and writing poetry, we did so much that the chat was buzzing with activity last evening. We worked with simple, silly rhymes, but noticed how something happens even in the simplest and silliest of poems. Sometimes, logic drives the poem; at other times, it’s sounds and shapes.
In the course of one hour, we read poetry by Sampurna Chattarji, Laura Elizabeth Richards, Sukumar Ray and Alok Bhalla, and more! We made up words, wrote rhymes, and all in all, had loads of fun.
A workshop with a guest is a wonderful way to keep the energy high at my writing programme, and a workshop on poetry while we’re doing our poetry module is just perfect. The next guest session is a little over a month away. Watch this space for more details, coming very soon!
Nami and Jhalak: Stinkypur Guardians
Banian Buddies
Mercy Watson to the Rescue
The Amazing Story of Adolphus Tips
The Impossible Pet
Sneaker Paati
Trouble with Magic
My Year in Workshops – 2025
Gobi Goes Viral
The Mystery of the Disappearing Drone
Amelia Bedelia Goes Wild
A Boy Called Bat
Help, My Aai Wants to Eat Me!
Tiger Boy
Mahalaxmi Will Go to Mysore
Thrills and Chills – A Horror Writing Workshop with Shabnam Minwalla

What a thrilling, chilling session we had with Shabnam Minwalla! It was interactive and fun, full of creepy examples and wonderful ideas.
Shabnam began by telling us what inspired her book Saira Zariwala Is Afraid–mysterious messages on her daughter’s phone. From there, we explored all kinds of things, from settings, to concepts for horror stories. I loved how many participants shared examples of regular places that become sinister! Playgrounds, people who are a little too sweet, mysterious lights … Even ordinary places like schools and malls have so much potential for horror!
One big takeaway for me was the idea that what we imagine is far more frightening than what is written. As a result, an unreliable narrator who makes us feel uncertain works perfectly for horror!
Beginning with a setting that has potential, moving to a “what-if” sentence, and then creating a sense of suspicion, where we wonder whom to trust–these are the makings of a great horror story!
I can’t believe that this was my thirty-third guest! We’ve explored so many genres and worked on so many different styles. I’m grateful to each guest who’s added a spark to my writing programmes. This one was the last of the season; look out for the next guest session in April 2026!
Delightfully True – A Workshop on Writing Creative Nonfiction

What is creative nonfiction? What makes it different from regular nonfiction?
Award-winning author Mallika Ravikumar led us through the second guest session of the season, teaching students what makes creative nonfiction engaging. From techniques of writing–like showing instead of telling–to research methodology, Mallika helped students understand how to go about writing credible creative nonfiction.
An important aspect of writing about true events is perspective. The same incidents can be viewed from multiple points of view. How do we choose a point of view? And what is our responsibility as writers once we’ve chosen a viewpoint?
At the end of the session, lots of participants who had read Mallika’s books had questions for her, which was heartwarming! She left them with an exercise that explores perspective and technique, which I hope will give them firsthand experience of how engaging creative nonfiction can be!
Manya Learns to Roar
The Wall Friends Club
The Kingdom of Wrenly: Adventures in Flatfrost
Frindle
The Great Indian Safari
The Great Sneak-Out
The Vampire Boy
Draw It In Style with Lavanya Karthik

We had nearly twenty participants during the first guest session of the season, an illustration workshop with Lavanya Karthik!
Focusing particularly on her Dreamers series, Lavanya talked about her creative process, and how she chose various art styles for different books. The idea of the session was to get participants to work towards creating a self-portrait. To do this, she introduced three styles that she researched and used in her books–miniature Mughal art, which she brought into The Boy Who Loved Birds, Bhil art, which features in The Girl Who Loved to Sing, and mosaic art, which you can find in The Boy Who Built a Secret Garden.
Step by step, she led the participants towards the final activity, asking them to list personality traits, choose a symbol or motif that represents them, and work on an elaborate frame, drawing from miniature paintings. We didn’t have much time to draw, but I enjoyed the symbols the children chose–from rollerblades to a treble clef!
And the joy of online workshops? We had participants from five countries joining in! It’s such a treat to see children coming together like this!
