My Year in Workshops – 2024
Boo-Boo the Eco-Warrior
Misfit Madhu
Zeus and the Thunderbolt of Doom
Mini’s Questions
Kushti Kid
The Art of Laughter
Every time I begin a new batch of my writing programme, it feels like the weeks fly by! This edition is nearly at an end, marked by our third and last guest session of the season.
This session was conducted by Arundhati Venkatesh, author of a number of humorous books. My book clubbers have read several – Bookasura (which we’re reading again in December 2024), Koobandhee, Petu Pumpkin: Freedom Fighter, Petu Pumpkin: Tiffin Thief and Petu Pumpkin: Cheater Peter.
Step by step, Arundhati led us through the writing of a humorous story. To begin with, if you want to write humour, you must enjoy reading funny stuff. This is something I say often—if you don’t read, you cannot write. I don’t restrict my definition of reading to fiction, though. We consume content in all kinds of ways, including memes and blog posts!
Secondly, the core of humour is truth, something that I completely agree with. An important idea that I’m glad Arundhati stressed is that the target of a humorous story should always be the person in power rather than someone who has no power or is helpless. The joke must be on the people who have authority. To paraphrase Terry Pratchett, when you make fun of people in power, that is satire. When you make fun of people without power, that’s bullying!
Having said that, Arundhati also came back to the idea that you can write about anything at all through the lens of humour. Her books are a great example – she has written humorous books about science, mathematics and the constitution!
Arundhati shared a handy list of ideas to get going with our own humorous stories. I hope at least some of the participants put her ideas into practice and write a story!
PodLab with Menaka Raman
At the Neev Literature Festival 2023, I watched Menaka Raman conduct a session on character development, and I knew I wanted to invite her to my writing programme. She did a session for us today, and what an engaging session it was! Her lively teaching style made the workshop a treat.
This workshop was my twenty-sixth guest session, and my very first one on podcasting. Menaka took us through the basics—from what a podcast is to what equipment we need to record a podcast.
In some ways, a podcast is like Netflix for audio – it has episodes that are recorded and that you can listen to in your own time. That’s what makes it different from radio, which you have to catch only when it is broadcast!
Through a series of writing exercises, Menaka helped us experience firsthand the process of podcast creation. Asking the right questions, choosing a theme, taking our time editing—all of it is important.
Finally, Menaka reminded us that we don’t need any fancy equipment to create a podcast. Recording on a phone is easy enough, and to edit, we can use Spotify, Audacity, iMovie and Garage Band. Special effects add to the experience of podcasts, and BBC, for instance, has 33,000 sound effects that you can use for free.
It was a rewarding session, and as often happens, I think I learned as much as the children did!
In the Bear’s Den
Paati vs UNCLE
The Magic Finger
Leonora Bolt: Secret Inventor
Bookasura
Birds on the Brain
The Great Escape
Illustrating Picture Books with Ashok Rajagopalan
What an enriching session we had on illustrating picture books with Ashok Rajagopalan!
“I didn’t know this, but I make an angry face when I’m drawing an angry face!” Ashok said. “If I want to draw a sad face, I make a sad face myself.” I remember seeing something about Disney doing the same thing. Is it something all artists do?
Today’s focus was creating emotions in picture books. Among the most interesting things for me was the fact that the reader’s emotion can be quite different from what the character is feeling. Sometimes, a character is angry, or confused, but the reader laughs. This laughter is deliberate, and the illustrator must portray the character’s emotion in such a way that the reader feels compelled to laugh.
Using a series of drawing exercises, we worked on drawing emotion and then heightening these emotions, first through the face itself and then through body language, colours and setting. As with every art workshop I’ve organised, I’m amazed at how easily and quickly illustrators draw! Look at the top right illustration in the image above for instance. Isn’t it incredible? It was done in less than a minute!