I love when I write in detail about a performance shortly after the show! The emotions are fresh, and so many details that we slowly forget are still crystal clear.In April 2023, we performed Chandalika, which was an exceptional experience. Even though I wrote about it in detail, I didn't mention twisted ankles, work schedules, and all the last-minute re-choreography we were forced to do. Perhaps we will perform it again; perhaps we won't. But a show on this scale is always a precious memory.Shortly after the show, we also staged a performance for the children of the Academy. Bharatanatyam is a performing art, and unless children have the opportunity to perform, they lose interest. Pressed for time, unsure of how we would pull it off, we still managed a full performance for the students of the Academy of Indian Dances!And then, in December, we performed in Bengaluru too.If … [Read more...]
Chandalika 2023
The four roles I played - dahiwala (curd seller), farmer, king's messenger, and mother's disciple What does one say after a performance? Performing is like a drug. We're high on it for days after, and we can't wait to do it again. And elaborate dance dramas? They're special.Many of us have been part of dance dramas before. We've done the Ramayana twice and Kasturi Tilakam (which takes us through Krishna's life) multiple times.But Chandalika was different. The first reason was the music. Accustomed as we are to Carnatic music, choreography was a struggle. The thaal is different; the raags are different; everything seemed alien to us. I sat with a notebook and calculated the number of beats in each dance and divided them into steps. Another member of our troupe learned the music, sang and recorded pieces for us to practise.All of us worked together, week after week, slowly … [Read more...]