Tiger Boy
Mahalaxmi Will Go to Mysore
Thrills and Chills – A Horror Writing Workshop with Shabnam Minwalla

What a thrilling, chilling session we had with Shabnam Minwalla! It was interactive and fun, full of creepy examples and wonderful ideas.
Shabnam began by telling us what inspired her book Saira Zariwala Is Afraid–mysterious messages on her daughter’s phone. From there, we explored all kinds of things, from settings, to concepts for horror stories. I loved how many participants shared examples of regular places that become sinister! Playgrounds, people who are a little too sweet, mysterious lights … Even ordinary places like schools and malls have so much potential for horror!
One big takeaway for me was the idea that what we imagine is far more frightening than what is written. As a result, an unreliable narrator who makes us feel uncertain works perfectly for horror!
Beginning with a setting that has potential, moving to a “what-if” sentence, and then creating a sense of suspicion, where we wonder whom to trust–these are the makings of a great horror story!
I can’t believe that this was my thirty-third guest! We’ve explored so many genres and worked on so many different styles. I’m grateful to each guest who’s added a spark to my writing programmes. This one was the last of the season; look out for the next guest session in April 2026!
Delightfully True – A Workshop on Writing Creative Nonfiction

What is creative nonfiction? What makes it different from regular nonfiction?
Award-winning author Mallika Ravikumar led us through the second guest session of the season, teaching students what makes creative nonfiction engaging. From techniques of writing–like showing instead of telling–to research methodology, Mallika helped students understand how to go about writing credible creative nonfiction.
An important aspect of writing about true events is perspective. The same incidents can be viewed from multiple points of view. How do we choose a point of view? And what is our responsibility as writers once we’ve chosen a viewpoint?
At the end of the session, lots of participants who had read Mallika’s books had questions for her, which was heartwarming! She left them with an exercise that explores perspective and technique, which I hope will give them firsthand experience of how engaging creative nonfiction can be!
Manya Learns to Roar
The Wall Friends Club
The Kingdom of Wrenly: Adventures in Flatfrost
Frindle
The Great Indian Safari
The Great Sneak-Out
The Vampire Boy
Draw It In Style with Lavanya Karthik

We had nearly twenty participants during the first guest session of the season, an illustration workshop with Lavanya Karthik!
Focusing particularly on her Dreamers series, Lavanya talked about her creative process, and how she chose various art styles for different books. The idea of the session was to get participants to work towards creating a self-portrait. To do this, she introduced three styles that she researched and used in her books–miniature Mughal art, which she brought into The Boy Who Loved Birds, Bhil art, which features in The Girl Who Loved to Sing, and mosaic art, which you can find in The Boy Who Built a Secret Garden.
Step by step, she led the participants towards the final activity, asking them to list personality traits, choose a symbol or motif that represents them, and work on an elaborate frame, drawing from miniature paintings. We didn’t have much time to draw, but I enjoyed the symbols the children chose–from rollerblades to a treble clef!
And the joy of online workshops? We had participants from five countries joining in! It’s such a treat to see children coming together like this!
Boo-Boo’s Adventures
Blame It on the Untz
The Timekeepers: Exploring Ancient Egypt
The Worst Witch and the Wishing Star
Koobandhee
Ghosts, Thieves and Aha! Adventures
Left-Out Paru
Friends Behind Walls
Agalya in the Spotlight
The Bald Bandit
The Hodgeheg
The Adventures of Mooli and the Sticker Trickster
Jumble Sale
Vincent Can’t Go
The Second Person Short Story

We haven’t ever worked on the second-person short story, which is what made this writing workshop particularly interesting for me! I love it when I get to work with something new at a guest session!
Michelle D’costa conducted a detailed session, introducing the three narrative perspectives and focussing on the second person narrator. From common misconceptions about the second-person narrator to hands-on writing exercises, Michelle covered a lot of ground in the course of one short hour.
We read a mentor text, explored how we can write in second-person, and discussed a few things to keep in mind when we write a short story. I especially like it when guests I invite reinforce ideas I’m teaching! Here are a few things Michelle mentioned, for instance!
- Avoid clichés
- Be as specific as you can, both for setting, and for character
- Use all the five senses–smell, taste, sight, hearing, touch
- Show, don’t tell
- Avoid head-hopping
We worked on paying attention to detail with an oral exercise for which Michelle showed us a picture of a man. Michelle emphasised the importance of describing what is actually visible rather than making assumptions. Show us what we can see; let the reader make assumptions!
With this, our third guest session, we’re now hurtling towards the end of yet another writing programme. How many courses have I conducted? I have now officially lost count. And I love that.
