Paperback ISBN 978-81-250-5174-9 Hard cover ISBN 978-81-250-5175-6 Author: Dr. Radhika Seshan (Associate Professor, Department of History, University of Pune) Publisher: Orient BlackSwan … [Read more...]
Experiences on Stage – V
I remember one time when a friend and I were asked to perform at an inauguration ceremony. I was so proud of myself for having asked for all the details - stage dimensions, availability of a sound system, green rooms, mirrors ... There was a time when I took all of that for granted. Experience taught me to ask questions without caring if the questions sounded stupid and pointless.I had all the details well in time to start choreographing. Covering stage space is an important part of dance, so we worked things out accordingly.We got there and saw all the arrangements that had been made. There was a long table covered with a white table-cloth on the stage. There were glasses of water on the table and chairs behind the table.Again at the risk of sounding inane, I asked, "The table will be moved, right?""No, it's nailed to the stage."I wondered if he was joking. But no, … [Read more...]
Experiences on Stage IV
Every time my sister Nisha and I performed in France, we had far less time to practise than usual. The last two performances were easier - we practised long distance on Skype before meeting and practising. Before that, it was individual, separate efforts, followed by coordination once I reached France.I remember the time we performed at Aix-en-Provence. We practised, of course we did. But there's some amount of choreography that changes every time we perform. Even when we perform the same piece with another dancer, we do not perform it in exactly the same way. We keep the other performer in mind, if nothing else.For this particular performance, as a duet, there were several things that we did in a kind of mirror-formation. I did the right side, while she did the left. I never practised the left side; she never practised right.And then, somehow, we got disoriented on stage.We … [Read more...]
Experiences on Stage III
Performing in Chidambaram is an experience that any dancer would cherish. Mythologically, it is the place where Lord Shiva came and danced the Ananda Tandava, at the request of the sages. The golden temple of Chidambaram finds its way into many traditional songs, thanks to its splendour and history.When we danced there, one of the pieces we performed was, once again, the much-loved Draupadi Vastra Haran. As usual, I was Dusshasan; this time, my teacher was Shakuni. We were on stage, in the middle of the drama when the music suddenly skipped back. Dancers on stage must never show nervousness, we knew that. The problem was that we had no idea how far back the music had skipped.That's when the real drama began. Duryodhan turns to Dusshasan and asks in dance parlance, "Where are we? What part of the music is this?"Dusshasan calmly replies, "We have a lot of … [Read more...]
Southern Adventures
Travelling with two friends in the south of India was the experience of a lifetime! Our plan was essentially to go to Pondicherry, but friends convinced us to go to Kodaikanal as well. Buses to and from Kodai were very frequent, so we were willing to try it out.Going to Kodai was longer than we imagined. We did not get a direct bus from Pondicherry. We had been told to go to Madurai, but that was far too, farther than we'd been mentally prepared for. Finally, we took a bus to Vettalakundu, a place we had never heard of. We got another crowded bus from there to Kodaikanal... Never mind. Kodai was beautiful, so once we got there, we were happy enough.After that, though, began the nightmare of getting back to Chennai to catch our flight back to Kolkata. On day two at Kodai, we went cheerfully to book tickets on any bus to Chennai - and discovered that no buses at all were available. … [Read more...]
Trains in India
I remember when two friends of ours were coming to India from France, and wanted to travel across the north. We warned them that reserving tickets on trains here is necessary, unlike in Europe. We had to book two months in advance (it was two then, not four, as it now is). They were surprised, but accepted it and made their travel plans well in advance.In France, by the way, and in large parts of Europe, for regular trains (not fast trains) there's absolutely no need to reserve. My sister and I had a rail pass and we made one reservation in all during two weeks of travel. For all the other journeys, we could simply get on to any train and go wherever we liked.When we got to Howrah station to take our train out of Kolkata, both our French friends were stunned. In the beginning, I thought it was simply because there were so many people. Indian stations can be slightly overpowering. … [Read more...]
A Train to Vienna
Why do people like us? Why do random people whom we will probably never meet again come up to us and do things for us? I wonder if we look young and innocent and vulnerable - if so, how long will we stay that way?I remember our journey to Vienna from Venice. I have photos to remind me of it, even if I do forget.A lady on the train was immensely curious about us and naturally, about India. We spoke to her for a long time about everything. We told her about our exchange programme, about backpacking in Europe, and about how wonderful our experiences in Italy had been. We told her what we did in India and answered hundreds of questions about Indian culture. All this was normal - people have all kinds of questions all the time. Then, she invited us to eat with her at the dining car of the train. Knowing it would be ridiculously expensive for us, we refused. She insisted, saying that she … [Read more...]
Performed today!
Nothing is the same without our teacher, but we did what we could anyway.The good news: We carried off Pinnal Kolattam well - no mistakes, thank God for that! Even with our teacher not there, no one's hair fell, nothing terribly embarrassing happened, thank God for that too! Changes were hurried, but were carried out as well as we could, each girl as independent as she could be.The strange news is that the interval was far longer than we planned, for the most bizarre reason ever - no one was able to draw open the curtain! What got us stressed was the fact that we were sure the audience thought we were taking ages to change, but that was not true! The button to operate the curtains didn't work, and we couldn't draw them open manually! For twenty minutes, people ran up and down, trying to figure out what to do, even calling up the person who installed the curtains. Finally, the … [Read more...]
Performing Tomorrow!
As part of the Golden Jubilee celebrations of St. Mira's College for Girls, the Academy of Indian Dances will be putting up a programme of Bharatanatyam and folk dances on Tuesday, the 22nd of January, 2013. We begin with a traditional Ganesh Vandana - an invocation to the elephant-headed god. After that, we travel from state to state, giving our audience glimpses of different folk dances, traditional costumes and cultures - West Bengal, Kerala, Maharashtra, Tamil Nadu, Gujarat, Rajasthan and Nagaland. As a tribute to St. Mira, in whose college we will be performing, we will also perform a Mira bhajan in the Bhagavatamela (dance drama) style.Performing in the absence of our guru is a challenge indeed, and we hope to do her credit!Programme: Ganesh Vandana Bengali folk dance Malayala kummi Marathi folk dance Kuratti kummi Pinnal Kolattam Mira bhajan Dandiya Garba Naga tribal … [Read more...]