A magnificent wooden stage - 50 feet long, 30 feet wide ...Infrastructure that allowed us to use lights in a way that we have never done before ... Guru Mythili Raghavan, determined to give her best to Kasturitilakam ... Eleven dancers - all excited, all nervous, all thrilled at the opportunity ... Of course things went wrong, but things went wonderfully right too. We performed at IIM, Indore, and delighted our audience.Photos and stories will come soon!But meanwhile, a view of the campus ... The lapwing is not a chance visitor. We saw it (and its friends/ enemies) everyday and everywhere. The campus is truly inspiring! … [Read more...]
Main Nahin Makhan Khayo
One of the highlights of this evening's performance:The gopis carried tales to Yashoda, complaining time and again about how Krishna stole butter from them. But naughty little Krishna convinced his mother not to believe any of the complaints the other gopis made about him.When Krishna stole butter in his own house, however, things changed – because Yashoda herself saw him.Yashoda wanted to catch her little boy out and asked him, out of the blue, “Kanhaiya, did you eat butter?”Taken aback, the words escaped from Krishna’s mouth, “Main nahin maakhan khayo – I did not eat butter! Ma, how did you think I had eaten the butter? I don’t even have the time to eat it! All day, I herd the cows. From dawn to dusk, I’m out grazing the cattle. When could I possibly eat butter?”The argument did not work. So, Krishna thought of another justification. “Maiya mori, mother mine, I’m such a … [Read more...]
Kasturitilakam
Timeless, beautiful, expressive. Dance is all three, and much more. Classical dance in India is a language. With its ancient origins, it is a medium of communicating knowledge, expressing emotions and creating aesthetic pleasure. Kasturitilakam – conceived and choreographed by Guru Mythili Raghavan – explores each of these dimensions.Lord Krishna, playing his divine, melodious flute, has touched the hearts of millions. Stories of this beloved god find their way into languages, music and culture all over India. His naughty pranks as a child, his strength and bravery as a young man, his divine love for Radha and the other gopis, his accompaniment of the Pandavas during their exile, and ultimately, the Bhagvad Gita, the immortal treatise delivered to Arjuna on the battlefield of Kurukshetra – these stories strike a chord in hearts everywhere.Guru Mythili Raghavan’s Kasturitilakam will … [Read more...]
Performing at Indore
The Academy of Indian Dances will be presenting Kasturitilakam - episodes from the life of Lord Krishna - everyone is welcome! Venue: IIM, Indore Date: 6th July, 2013 Time: 18:30 Credits: Choreography: Guru Mythili Raghavan Make-up: Shri Mohan and Smt Lakshmi Music compilation: Friends Studio, Pune Dancers: Ashwini Sashital, Charulatha Ramesha, Dhwani Lalai, Nisha Seshan, Pooja Shetty, Rashmi Shetty, Resham Abdagiri, Riddhi Joshi, Tejashree Natu, Suguna Nair and Varsha Seshan … [Read more...]
Performing in Renage
A very dear friend of my sister's organised a performance for us at a chapel in Renage. That was when we learned what effective publicity is.Michèle, who, I should mention, is in her seventies, did absolutely everything to make people come for our performance. She, helped by two friends, went (literally) from pillar to post putting up posters. She made signs to direct people to the chapel, and went and put them up on lamp-posts. When we drove towards the chapel, we saw our own faces everywhere. Every wall, every lamp-post, every pillar had a poster of our performance thanks to this formidable lady. She sat and folded the programmes for the performance - easily a hundred or more - insisting that she had nothing else to do, while we, the dancers, ought to rest. She went individually to each neighbour and convinced all her friends that they would not get the opportunity to watch a … [Read more...]
Arangetram!
Anushka Iyer and Riya Dash will be performing their Arangetram today!The Arangetram is the maiden performance of a dancer, during which she attempts to convey her understanding of her art form to a discerning audience in the presence of her guru.Venue: Tilak Smarak Mandir Date and time: 28th June 2013; 17:45 Credits Nattuvangam: Guru Smt Mythili Raghavan Vocal: Shri Sivaprasad Mridangam: Shri Shankar Narayanan Violin: Shri Bala Subhramanyan Make-up: Shri Mohan and Smt Lakshmi Comperes: Aishwerya Sudarshan, Nisha Seshan, Varsha Seshan … [Read more...]
Nritya Tarangini
Day 1: I wondered whether I would get anything out of the workshop conducted by the Dhananjayans. I wondered whether it was all worth it. We were learning a piece that was getting totally jumbled in my head. There were too many episodes and at the end of the day, I could not even remember the music.Day 2: I knew it was worth it. I understood why Dhananjayan Anna and Shanta Akka have played Rama and Sita so often. Anna's gentle humour, Akka's quiet poise. I remembered when I went with my teacher to their place while Akka was taking class. I could barely take my eyes off her. 68 now, and still so beautiful. In her own words, Anna is the architect and she is the engineer. I watched her teaching. I realised how similar she is to my teacher and I realised once again how blessed I am.Day 3: A performance at Tilak Smarak Mandir. Of course there were parts I did not enjoy. It's part of the … [Read more...]
‘Shiva’
Last evening's performance at Bal Shikshan was a visual treat. Of course there were things I did not like. I did not like the opening piece or the concluding peace. I found them most peculiar. Yet, there is something about the perfection of classical dance well performed that cannot be compared to anything else.Vaibhav Arekar and his troupe performed a beautiful collection of dances - united by the theme of Shiv. There were some pieces I'd watched before. There's one that brings tears to my eyes every time - the story of an untouchable devotee of Shiva who wants a glimpse of the shivalingam inside the temple.Spurned by the higher castes, Nandan hides, crouches, apologetic about his very existence. When higher caste women see him, they recoil in disgust. He cringes, almost trying to become invisible. Yet, when everyone else finishes the prescribed rituals and has gone, Nandan goes … [Read more...]
Experiences on Stage – V
I remember one time when a friend and I were asked to perform at an inauguration ceremony. I was so proud of myself for having asked for all the details - stage dimensions, availability of a sound system, green rooms, mirrors ... There was a time when I took all of that for granted. Experience taught me to ask questions without caring if the questions sounded stupid and pointless.I had all the details well in time to start choreographing. Covering stage space is an important part of dance, so we worked things out accordingly.We got there and saw all the arrangements that had been made. There was a long table covered with a white table-cloth on the stage. There were glasses of water on the table and chairs behind the table.Again at the risk of sounding inane, I asked, "The table will be moved, right?""No, it's nailed to the stage."I wondered if he was joking. But no, … [Read more...]
Lost and Found
Children leave all kinds of things behind at dance class. My teacher could set up a shop and make a fortune if she ever decided to sell the stuff children leave behind.The most common things children forget, of course, is their theory material. I think a part of them wants to forget so that they don't have to study it.Then, of course, are the hundreds of water bottles, umbrellas, jackets, raincoats and scarves. Somehow, there seem to be many things that belong to nobody. My teacher diligently takes things home and brings them for the next class, announcing repeatedly that someone left the following things behind. If she is lucky, children come and claim their things. Very often, though, there are things that no one claims. My teacher continues to bring them for class for a couple of weeks. No one asks about them; no one seems to want them.The most puzzling piece of lost property … [Read more...]